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GUTS
EYES
BONES
BOUND
ARIES

[d | intensifying]

​BONES | experiential anatomy

BOUNDARIES | self-care consensual practices

GUTS | mere improvisation technique

EYES | gazed-at as spatial & performance practice

 

9 month in-studio course in Athens/Greece

apply GEBB

​WHAT DOES GEBB [d|intensifying] stand for

In GUTS | EYES | BONES | BOUNDARIES [d|intensifying] BONES stand for experiential anatomy​, BOUNDARIES signify our hands-on work approaches,  self-care & consensual practices​, GUTS stand for mere improvisation technique​, and EYES refers to being gazed-at as spatial & performance practice. GEBB6 (2025-26) spiraling structure consists of five modules of classes, practice & mentoring, culminating into a two-week residential horizontal laboratory by the sea. But why d|intensifying? Post-MeToo & post-COVID movements have shone new light onto a performing-arts culture of urgency, normalized violence and chalenged boundaries. At GEBB we do not aspire to teach, criticize or reproduce our own aesthetics; instead, we foster a culture of consent that embraces self-directed learning through the organic & the relational, holding a space for each years' participants to navigate personal & collective trajectories. Therefor, following the circles of rest and reset of the program is highly relevant. We strogly advise participants to do as little as possible during the half-term and seasonal holidays of the course, as well as take personal time away from the group. For this reason, GEBB warmly welcomes previous participants to join future cohorts tuition-free for specific weeks they missed or wish to repeat. GEBB is a life-changing experience, and change does not happen under pressure or in fear of missing out.  

A LITTLE MORE ON GEBB6

GEBB d|intensifying is structured into five modules, leading to a two-week residential horizontal laboratory by the sea. Modules typically consist of (1) one week of experimental anatomy classes, (2) one week of post-MeToo post-COVID hands-on practices, (3) one week of contemporary theory on body, gender, movement & space, (4) one week of improvisation technique, and (5) one week of witnessing, performing & creative practice, leading to (6) a week of studio practice gently held by three mentors, including one-on-one sessions and self-directed time working alone-together in the studio, to rest, digest, reflect and transition towards a decompressing half-term or seasonal break. Half-term and seasonal breaks organise the academic year into the modules running from September to June. GEBB6 concluding weeks (1-12 June 2026) will be spent off-Athens, where participants are invited to fascilitate a residential horizontal laboratory. More info below.

WHO IS GEBB FOR

GEBB d|intensifying offers a unique opportunity for young & mid-career artists to deepen their embodied research, dive within the poetic inviroments of experiential anatomy, and explore connections between organic learning pedagogies, performing practices, relational choreography and theory. GEBB provides an empowering environment of nurishing continuety for those taking a break from of formal learning, preparing their BA, MA or PhD proposal, aspiring to create a journal-portfolio, or navigating a self-directed practice. GEBB welcomes performing, mixed-media, and/or visual arts trainnies and professionals, as well as hands-on practitioners interested in grounding their practices within the fields of movement, dance, consent, and self-care practices for the performing arts (somatics). Daily housekeeping is primarely ran by the participants, with two group-representatives per module, and workstudy participants (two greek-speaker -90% discount scholarship reciepients). Classes are offered in english, with some greek translation if absolutely necessary. Hosting GEBB for a third year, COCHLEA studia is an artist-run space that aims to create a safe and inclusive inviroment for bodies of age, bodies with disabilities, bodies of colour, parents bringing their young ones in class, immigrants, and bodies with gender identities beyond the binary. Furthermore, the space is home to three gorgeous tortoiseshell cats (Winnie, and her daughters Marry & Sarah) who welcome touch but might not always respect others' personal boundaries. If you are a kind, independent indivisual with no cat-allergies, have experience with working in groups, and are ready to embrace the responsibility of your own growth with gratitude and respect for your studying & teaching colleagues, GEBB is ideal for you. Please apply here.

WHAT TO EXPECT ON A DAY TO DAY BASIS

Weeks at GEBB begin on Mondays. The studio opens at 09.30, class starting at 10.00. Morning class typicaly finishes at 11.30, followed by a brunch break. Afternoon workshops runs from 12.15 to 15.15. With the exemption of Wednesdays when studio closes at 12.00, studio closes daily at 16.00. Teachers rotate on a weekly basis; please find this year's calendar & last year's content belowGEBB6 participants are also welcomed to join the studio's weekly evening classes. These typically include weekly Skinner Releasing Technique classes, Alexander, Feldenkrais & Pilates classes, as well as dramaturgy workshops and book clubs. Tuition fees for these additional classes are redused for GEBB participants (discount varies between -30% and -60%). Get intouch for more info.  

PROGRAMME CONTENT example

(2024-25) please see below 

including half-term breaks, studio practice weeks,

and classes/workshops organised in modules

TUITION includes

- all practicing & sharing opportunities

(please see previous year content below).

- travel expenses from Athens to our rural destination (tbc) 

- daily land-fee for placing participants' tents at our rural destination (tbc) 

TUITION does NOT include 

- travel expenses to Athens/Greece

- housing & meals in Athens for the lenght of the course

- participants are expected to bring their own tent to our rural destination (tbc) 

- we are currently investigating meal options in our rural destination (tbc) 

(currently NOT included, tbc)

TUITION SLIDING SCALE explained

GEBB & COCHLEA studia are artists-ran organisations. 60% of incoming tiution is payed to our teaching collaborators, 30% is spend on amenities, and only 10% are payed as administration fees  to colleagues offering their services at our office. As concluding the enrolement period allows us to return to our making, teaching and research endeavors, we are since 2024 applying a sliding scale tuition policy that encourages participants to commit to GEBB early. 

 

TUITION SLIDING SCALE applied 

applications received before 15 December 2024 tuition 3.800 euro

applications received before 15 January 2025 tuition 4.000 euro

applications received before 15 February 2025 tuition 4.300 euro 

applications received before 15 March 2025 tuition 4.700 euro

applications received before 15 April 2025 tuition 5.200 euro

applications received before 15 May 2025 tuition 5.800 euro 

APPLICATIONS & REGISTRATION

Applications are considered once a month,

on the next working days of each sliding-scale dead-line. 

Prospective participants will be invited to an interview

with two teaching members and/or course director, Georgia Paizi. 

Notification of acceptance, waiting-list, or deferral 

is typically sent within three working days from the interview. 
Letter of admission & invoice are typically issued within the next week.

Once letter of admission & invoice are issued,

applicant is typically expected to cover tuition within a week, 

and/or before the opening of the next sliding-scale application dead-line. 
Overall, form each application dead-line to enrolment,  

applicants have a period of 30 days to cover tuition and book their place. 

GEBB 2024-25 is expected to accept 6 to 14 participants. 

CALENDAR 

Please find below the GEBB dates for 2025-26. For the content of the program, please find the previous year's calendar below. GEBB6 is expected to include the same content as the program of 2024-25. Individual dates for teachers and methods might continue to shift until the beginning of the course. 

module a | monday 22 september - friday 31 october 

module b | monday 10 november - friday 19 december 

module c | monday 5 january - friday 13 february 

module d | tuesday 24 february - friday 3 april 

module e | monday 20 april - friday 29 may

off-athens residential lab | monday 1 june - friday 12 june 

please note greek holiday dates for 2025-26 also include:

tuesday 28 october

tuesday 6 january

monday 23 february

wednesday 25 march

friday 1 may 

​​

PROGRAMME 2024-2025

This is the current academic years' calendar.

Acad. year 2025-26 is expected to be very similar in content

although week dates will be rearranged.

For the cohort 2025-26 calendar, please see above.

​​​​

​​​mon 16 sept 

online meeting & greeting 

 

tue 17 sept 

scheduled in-person mentoring sessions​ 

in-studio program content meeting 

 

wed 18 sept 

scheduled in-person mentoring sessions​ 

scheduled in-person mentoring sessions​ 

thur 19 sept

scheduled in-person mentoring sessions​ 

in-studio house keeping meeting

 

fri 20 sept

collaboration agreement laboratory

open classes & social with wine & tea

​​​

INDUCTION WEEK 16 - 20 sept (please see above)

PERIOD A 23 sept - 1 nov (6 weeks) 

 

​week 1 | 23 - 28 sept | georgia paizi 

morning classes | skinner releasing technique classes 1-5

afternoon lunch | eating together

week 2 | 30 - 4 oct | sonia ntova

morning classes | nomadic school of moving thought 

afternoon workshop | journaling for dance-artists opening workshop

week 3 | 7 - 11 oct | selina papoutseli 

morning classes | muscles, bones, organs

bmc inspired experiential anatomy classes

afternoon workshop | muscles, bones, organs

bmc inspired experiential anatomy w/s

week 4 | 14 - 18 oct | sara matchett

schedualed in-person mentoring sessions​ 

afternoon workshop | fitzmaurice voicework 

 

week 5 | 21 - 25 oct |  iris nikolaou

morning classes | viewpoints 

afternoon workshop | viewpoints expanded 

week 6 | 28 - 1 nov | studio practice 

incl. mentoring & hands-on sessions

​​

​​

​​

HALF TERM BREAK 4 - 8 nov 

PERIOD B 11 nov - 20 dec (6 weeks) 

week 1 | 11 - 15 nov | natali mandila

morning classes | mechanotransaction physical training fascia spp 

afternoon workshop | mechanotransaction creative practice fascia spp 

week 2 | 18 - 22 nov | thalia ditsa 

morning classes | body landscape butoh, qi, cst, mindfulness 

afternoon workshop | relationscapes

​​

week 3 | 25 - 29 nov | anastasio koukoutas & maria sideri

morning classes | the alexander technique | georgia paizi 

afternoon workshop | contemporary theory (title tbc)

week 4 | 2 - 6 dec | myrto zarokosta 

morning classesauthentic movement

afternoon workshop | authentic movement

week 5 | 9 - 13 dec | vitoria kotsalou

morning classes | practices (classes title tbc)

afternoon workshop | strategies (workshop title tbc)

week 6 | 16 - 20 dec | studio practice

incl. mentoring & hands-on sessions

WINTER BREAK 23 dec - 3 jan 

PERIOD C 6 jan - 14 feb (6 weeks) 

week 1 | 6 - 10 jan | ioanna palamidous & marina ierides

morning classes | franklin method 

afternoon workshop | choreographic enviroments // choreographic bodies 

week 2 | 13 - 17 jan | maria papadopoulou & nassia fourtouni

morning classes | the listening skin 

afternoon workshop |  the choreographic skin

week 3 | 20 - 24 jan | vasiliki tsagkari 

morning classes | skinner releasing technique classes 6-10

afternoon workshop | creative practice in the rural (lycabettus hill forest)

week 4 | 27 - 31 jan | kitt johnson & polena kolia petersen 

morning classes | open training

afternoon workshop | the planetary body

​​​

week 5 | 3 - 7 feb | androniki marathaki

morning classes | let's be comfortable in our own skin

afternoon workshop | being in question

​​

week 6 | 10 - 14 feb | studio practice

incl. mentoring & hands-on sessions

DOUBLE HALF TERM BREAK 17 - 28 feb 

PERIOD D 3 mar - 11 apr (6 weeks) 

week 1 | 3 - 7 mar | ioanna & polyxeni thanou 

morning classes | dynamic embodyment & bodymind dancing

laban, bartenieff, bmc 

afternoon workshop | embodied designing

ecology, democracy, somatics 

week 2 | 10 - 14 mar | selina papoutseli & petra söör

morning classes | bodyweather

afternoon workshop | the meteorological body

week 3 | 17 - 21 mar | anastasio koukoutas & maria sider 

morning classes | feldenkrais into improvisation | eve ganneau 

afternoon workshop | anastasio koukoutas & maria sideri | theory

week 4 | 24 - 28 mar | jitsa konstantoudaki & ellie parakente

morning classes | integrating somatics & contact improvisation dpt, bmc, ci

afternoon workshop | contact improvisation performing practice underscore

week 5 | 31 - 4 apr | katerina delakoura 

morning classes | looking at the see classes  

afternoon workshop | looking at the see workshop   

week 6 | 7 - 11 apr | studio practice

incl. mentoring & hands-on sessions

SPRING BREAK 14 - 25 apr 

PERIOD E 28 apr - 13 jun (7 weeks) 

week 1 | 28 - 2 may | zoi demitriou 

morning classes | strech & placement klein technique 

afternoon workshop | dancing connections 

week 2 | 5 - 9 may | selina papoutseli & polena kolia petersen 

morning classes | bodyweather  

afternoon workshop | the permiable body

week 3 | 12 - 16 may | dafne stefanou

morning classes | skinner releasing technique classes 11-15

afternoon workshop | creative practice in the rural (lycabettus hill forest)​

week 4 | 19 - 23 may | sonia ntova

morning classes | nomadic school of moving thought 

afternoon workshop | journaling for dance-artists closing workshop

 

week 5 | 26 - 30 may | anna tzakou

morning classes | contemplative dance practice 

afternoon workshop | geopoetics ​

week 6 | 2 - 6 june | studio practice 

week 7 | 9 - 13 june | open studio sharings  

 

​​​

TUITION

acad. year 2025-26

sliding scale dead-lines

applications before

 

 

15 dec tuition 3.800 euro | 15 jan tuition 4.000 euro

15 feb tuition 4.300 euro | 15 mar tuition 4.700 euro

15 apr tuition 5.200 euro | 15 may tuition 5.800 euro

 

Thank you for your application!

You will hear from us shortly.

 

A FEW THINGS TO CONCIDER BEFORE APPLYING

 

 COCHLEA studia might bring participants intouch with the local artists-community regarding housing and/or collaboration opportunities, depending on our resourses, but participants solely are responsible for organising their travel, persuing all legal documents where needed (VISA) & securing their housing. 

 COCHLEA non-profit is registed with the Greek Ministry of Culture. In the event that you are applying for a professional developement VISA, please include this information in your application, in order to receive your admition letter and receipt of tuition as soon as possible. 

Once letter of admission & invoice are issued, tuition is expected to be settled within the next five working days and/or before next sliding-scale application period is open. No refunds are issued after enrolement, with the exeption of demonstrated proof of VISA denial. In the unfortunate event of VISA denial, GEBB may issue a partial refund of tuition fees redused by 40%, on the condition that VISA application process was initiated ontime, proven by letter of inquiry or appointment arranged at the prospective participant's local authorities.

 Please note, participation in inducation week is mandatory. Please do not apply for this program if you are not available during induction week.

 COCHLEA studia is home to three gorgeous tortoiseshell cats (Winnie, and her daughters Marry & Sarah) who might not always respect your boundaries. Please consider any cat-allergies before applying. 

 

 

C​OLLABORATIVE AGREEMENT

DIFFERING & REFUNDING POLICIES

ELIGIBILITY & STRUCTURE 

GEBB is a curated and mentored program designed for mature adults who are experienced in group settings and can constructively respect the program’s structure, the shared spaces, the cats, and their teaching and working colleagues. GEBB aims to foster a self-directed approach to study. Participants are encouraged to progress through teaching and practice weeks at their own pace, provided that it does not disrupt the collective rhythm of the course. To support this, past participants are expected to rejoin future GEBB cohorts at no additional cost to cover any missed weeks, as well as repeat sessions at a discounted rate depending on availability. The course welcomes mid- and early-career artists, generally aged 21 and older. However, if you are between 18 and 20 and feel this program is right for you, your application may be considered as a special case. In such instances, you may be asked to attend an introductory workshop before final enrolement and provide two reference letters. 

INDUCTION WEEK

All participants, without exception, must attend induction week. Please refrain from applying if you are unavailable during this time. COCHLEA reserves the right to defer students who miss induction week to a future cohort. Returning participants retain their original tuition rate, though any previously awarded discounts may require reapply and are subject to availability of each years resources. Refunds are issued only for firt application visa denials. 

TIMING & ATTENDANCE

The space opens at 9:30 am, with classes beginning promptly at 10:00 am. The doors close at 10:30 am unless 24h notice has been sent to the class coordinators about late arrivals. Participants arriving after 10:30 am without 24h notice, are kindly asked to join the class during the lunch break. If you plan to miss a day, please avoid missing Mondays, as they set the foundation for the week’s work. The program, while kind in pace, brings change that may impact your physical and nervous system energy. To support participant well-being, Wednesdays are half-days, while the program also includes a half-term break every six weeks. Participants are encouraged to listen to their physical and emotional needs, taking rest days as required, rather than using holidays for additional intensive activities. COCHLEA reserves the right to defer students who consistently struggle to meet attendance requirements, to a future cohort. Returning participants retain their original tuition rate, though any previously awarded discounts may require reapply and are subject to availability of each years resources. Refunds are issued only for firt application visa denials. 

CONTEXT & SELFCARE
Some techniques in the GEBB program are widely used in both creative and therapeutic settings. While both applications are valid, each requires a distinct environment and skill set to ensure safety and effectiveness. If you are processing recent trauma, please communicate your needs openly and seek support from a therapist of your choice outside the program. Although GEBB strives to be a trauma-informed space, it is designed primarily for artists and practitioners focused on professional development, not as a form of therapy. Participation assumes readiness to commit to a year-long program. COCHLEA reserves the right to defer participants whose needs cannot be fully supported within the program, to a future cohort. Returning participants retain their original tuition rate, though any previously awarded discounts may require reapply and are subject to availability of each years resources. Refunds are issued only for firt application visa denials. 

Participants are expected to adhere to these guidelines to ensure a smooth and high-quality experience for everyone involved. By applying to this course, you acknowledge and agree to abide by the standards outlined above.​​​

PICTURE a dance-program where technique is an investigation in anatomy, proprioception, imagination, motivation, availability, and efficiency. Picture a palimpsest of internationally acclaimed methods that are continually updated and refined by their teachers' associations. Picture a dance-program that embraces agency, supporting mid-career & less experienced dance-artists to bloom in their own pace along each-other. Imagine a year in central Athens, five minutes from the Lycabettus forest hill, on our lovely solid, unfinished, oak-wood floor.

 

Picture GUTS | EYES | BONES | BOUNDARIES [d|intensifying] former SYNASKi, a nine-month international in-studio course, offered for the sixth year by COCHLEA res in central Athens/Greece, organised in five accumulative modules where somatic and hands-on practices, contemporary theory and contemporary choreography intersect.

The daily program includes certified-technique morning-classes (10.00 - 11.30), followed by making & researching strategies workshops (12.15 - 15.15), taught in english, by renown members of the greek & international dance-artists community, including certified teachers of the Alexander Technique, Body-Mind Centering (SME), Contact Improvisation, Contemplative Dance Practice, Cranial-Sacral Therapy, SPP Fascia, Feldenkrais Method, Franklin Method, Klein Technique, Rolfing Structural Integration, Skinner Releasing Technique, ViewPoints, Body-Weather, as well as theorists & practitioners of dramaturgy, improvisation, relational choreography, and more.

 

GEBB is curated and supervised by Georgia Paizi, Alexander Technique teacher (2017), Skinner Releasing Technique teacher (2024), and one of the few dance professionals in the EU trained as an Intimacy Coordinator. More about Georgia here.

Aigina specs
policies

At COCHLEA studia we recognize the systemic inequalities within which we survive and through which we also often benefit. Through our working and collaborative relationships, through the content of our programmes, but also with our daily behavior, it is our constant aim to actively contribute to the deconstruction of the ways in which cultural representations, public space, working conditions, but and individual behaviors reproduce these inequalities. It is our priority that our spaces remain safe, accessible and inclusive for both working people and people attending our classes and performances. Harassing behaviors, insults, and micro-aggressions in the spectrum of gender, motherhood, racism and/or ablism are not tolerated. If you have received or observed any such behavior in our studio or living room, please speak to us immediately, or write to us on facebook.com/cochleastudia

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